Nixon’s ghost enjoys the Rock-N-Roller.
The show building now known as Stitch’s Great Escape has seen a lot of changes over the years, but through it all, one thing has remained constant: Stinky chili dogs. Or maybe that’s just the Stitch version. At any rate, I hate that part.
But really, there is something else. Every incarnation of the attraction has featured a preshow with an audio animatronic host giving a presentation to the tourists. There have been no fewer than five versions of this preshow, and the host has changed names all five times.
Smokey the Bear hosted the first version of the show when the Magic Kingdom opened in 1971. As the lead-up to the Flight to the Moon attraction, Smokey warned young children about the flammable dangers of rocket fuel and eventually ushered in the age of WDW designated smoking areas. Smokey did all this while disguised as a nerdy white dude in a labcoat.
Smokey’s cautionary tale was somewhat lost in the show’s script, in which Smokey played the head honcho of a Mission Control center, a scientist by the name of Tom Morrow. With the aide of several video clips of 60s-era rocket launches, Tom (Smokey) explained the basics of our Flight to the Moon, and was memorably interrupted by a bird on the runway (who was only doing its level best to prevent forest fires).
George Walsh, who was a former Disneyland employee and the voice of the radio version of Gunsmoke, is the missing link here. Walsh is credited with the recording of Smokey’s famous catch phrase (“Smarter than the average bear”), and he also likes to take credit for voicing Tom Morrow in Flight to the Moon. Incidentally, Tom Morrow is the Disney name pun that simply will not die. Tom Morrow is the host of Innoventions out at Disneyland, and appeared briefly as a tiny bot at Epcot’s Innoventions, and in select Disney Channel spots (where he was billed as Tom Morrow 2.0). The Tomorrowland Transit Authority narration paid homage to this character as you rounded the Carousel of Progress. ”Paging Mr. Morrow. Mr. Tom Morrow. Your party from Saturn has arrived. Please give them a ring.” This is a pun, because Saturn was the Roman God of Parties.
When Flight to the Moon became Mission to Mars, Tom Morrow was replaced by Mr. Johnson, who of course is Grover’s favorite customer on Sesame Street. Mr. Johnson (in his Walt Disney World form) looked suspiciously like Tom Morrow — and even sounded like him (which makes sense, considering George Walsh weaseled his way into another voice contract). The most obvious changes to the Control Center were that references to our moon flight were now replaced with references to the red planet. They still did the same schtick with the bird and the runway.
The most glaring question to arise from this new show dealt with Mr. Johnson’s educational background. If this is NASA or some such fictional organization, shouldn’t he have been Dr. Johnson? Is this just some random dude who worked his way up from the mail room to the position of Mission Commander? Does he even have a degree? I’ll give you a hint: Mr. Johnson is barely qualified to work for your local radio station, and not even as a talk show host.
The TTA referenced Mr. Johnson’s current occupation as part of its narration. ”This is Mr. Johnson in Sky Hovercraft One, bringing you the latest Tomorrowland Traffic Report!” That’s just great. The guy at the controls of our big interplanetary space flight is a traffic cop in a theme park.
Alien Encounter opened in 1994, a drastic departure from the Flight to the Moon/Mission to Mars space missions. In this attraction, we would be bringing space to us, in the form of a teleportation experiment with an alien. The preshow was changed to a demonstration of XS-Tech-nology, hosted by a robot called the XS-2000, who would later grow up to become governor of California.
This version of Alien Encounter is notorious in Disney history, for the simple reason that it didn’t last very long. Michael Eisner famously decided that it wasn’t scary enough, and shut it down for retooling. One wonders if the part of the reason was because they had an SNL comic performing as the robot.
Phil Hartman was already a huge TV star when he voiced the XS-2000. He had cut his teeth on sketch characters for Saturday Night Live, and later went on to star in his own series called News Radio, where he worked with Dave Foley, who starred in a major Pixar movie alongside someone else on this list. Hartman’s Alien Encounter performance disappeared so fast, it almost sounds like an urban legend. But thanks to youtube, you can relive it.
Incidentally, don’t feel too bad for Phil. He still has a prominent Magic Kingdom preshow to his name. He provides the voice to one of the two “talent agent” birds at the Enchanted Tiki Room. Side note #1: The other bird is Don Rickles, who starred in a major Pixar movie alongside John Ratzenberger, who starred in another major Pixar movie alongside someone else on this list. Side note #2: Kevin Bacon never hosted Alien Encounter.
Finally, we get a doctor hosting one of these things. We’re in safe hands now. When Alien Encounter reopened from its Eisner-enforced rehab, the genial spiel of the XS-2000 had been replaced with the ominous and menacing intonations of S.I.R., which stands for Simulated Intelligence Robotics. It was voiced by Tim Curry, no stranger to menacing vocal performances, having worked on several Scooby Doo episodes. Actually, Tim Curry goes back a long way with Disney, from innumerable voice spots on the Disney Afternoon cartoon series (Darkwing Duck, Little Mermaid, Aladdin), to the role of Long John Silver in Muppet Treasure Island, to the scenery-chewing Cardinal Richelieu in the Oscar-nominated masterpiece, The Three Musketeers. He also starred in the 1982 movie Annie, which features a song called The Sun Will Come Out, Tom Morrow. Coincidence? Does Smokey do his business in the woods?
Yesterday Universal finally announced an opening date for the Wizarding World of Harry Potter. Judging by the carefully retouched hi-res publicity photos and the always-accurate concept art, they have obviously knocked it out of the park.
Oh, stop being so sarcastic, you say. It’ll be good. And I have to admit, I’m looking forward to it. But I still maintain that Universal is the only theme park in the world that will acquire the rights to a major kid franchise, and then turn it into a ride with a height requirement.
In the wake of this news, Disney has countered with something pretty special. You see, I happened to be walking around Disney’s Hollywood Studios the other night, and I came across something which I haven’t seen reported anywhere else. What is my big scoop? Well, it’s … Actually, I’ll make you read until the end of the article. There’s something I need to do first.
First, let’s digress into kids franchises again. The time was 12 years ago on an evening very much like the one you have just witnessed. Twilight Zone Tower of Terror was the belle of the MGM ball, establishing the park as THE place for top-notch creepy entertainment.
Disney decided that the time was right to cash in on another scary property: The Goosebumps series of scary books for kids, by R.L. Stine. What followed was nothing less than the cheapest, most cringe-inducing attraction ever shoehorned into a Disney theme park up to that point (and it should thank its lucky stars that Dinorama came along a few years later and took some of the heat).
Recognize this? By day, it’s a decrepit old warehouse-like building on New York Street It sits directly in front of the AFI building/tram tour exit and is currently the character greeting area for Monsters, Inc. There is a platform/stage off to the right, and during the Osbourne Spectacle of Magical Dancing Electrical Light Overkill Parade, this holds a surprisingly subtle Nativity Scene.
Pictured here in all its Osbourne glory, it’s a far cry from its roots as a Fright Show featuring Mummies, Magicians, and an extremely unsettling ventriloquist dummy, a precursor to that other kids’ franchise, Saw.
Thankfully, someone thought to upload video of this classic stage production to youtube, a foolproof way to convince parkeologists everywhere to give up the study of great theme parks and become Universal fans instead.
But it gets better. Not only was the Fright Show performed five times daily, but there was also a Horrorland Funhouse to explore, in the very same spot where Mike and Sully now take pictures. This was basically a house of mirrors, and a really bad one, as if the mirrors were all made out of aluminum foil. I don’t have any pictures or youtube videos. All I have is a publicity still from a Disney souvenir guide. Remember: Purple = Scary.
So now that I have decreased your IQ with talk of Goosebumps Fright Show and Horrorland Funhouse, it is safe to reveal my big scoop:
Yes! It’s a new sign advertising the character greeting area for Mike and Sully! It’s in Pixar Place, just beyond Toy Story Mania, directing people down the street to the character greeting area. Apparently people are having a hard time finding it. It’s almost like that area is cursed or something, I dunno.
Note: Make sure to read to the very end to discover a hidden secret in todays video!
The mid eighties represented a time of rebirth for the Walt Disney Company. Newly minted CEO Michael Eisner woke up a sleeping giant and started a decade of exciting projects and growth. The new movie Hot Tub Time Machine happens to send its stars back to 1986 the dawn of this exciting time in Disney history.
In 1986 Eisner sported an awesome 80′s “trendy” look.
Back when Disney’s Hollywood Studios first opened, there wasn’t much to it. Sure, the park was only slightly smaller than the Magic Kingdom, but if you looked at the map, you’d see that it fully half of the real estate was taken up by something called a “Backstage Tour.”
Yes, this was a hearkening back to one of Walt’s original ideas of a Studio-based park (and had absolutely nothing to do with Universal Studios’ Orlando invasion. Really. No relation whatsoever. It was Walt, I tell you!). Walt, you see, has thought up every Disney project ever. He sketched up the plans to the “Disney Princess Hair Salon” while on a train ride through Missouri, and his Last Will and Testament gave explicit instructions to set a TV musical inside a High School. You have to hand it to him, the guy was way ahead of his time.
Anyway, younger guests might not realize it, but when this park first opened, the guest-accessible areas literally stopped at the Great Movie Ride, sort of like if the castle was the back of the Magic Kingdom. You could venture into the Animation Courtyard to the right, or to the Indy stunt show on the left, but that was it. Everything else was closed off unless you were on the Tour. If you look closely at the map segment above, you can see barriers preventing access to Star Tours (still under construction), and another one preventing access to the breezeway which now houses the ABC Commissary.
Of course, now tourists can roam anywhere they darn well please, and nobody has filmed a movie at the park since Ernest Saved Christmas (which Walt wrote the script for). The barriers are long gone. Or are they?
Turns out there are some nicely themed Studio Gates still in place at both locations. They’re in plain sight, but very easy to overlook. The surprising thing is, these things are themed to be as boring as possible, a bit atypical in a park where even an unassuming rope in a well can surprise you with a trapped member of Monty Python.
Between them, they have exactly one visual gag: Gate 2 (the Star Tours location) has an acting book lying on the desk, obviously for the guard to improve his craft (or maybe just land a job at the Great Movie Ride). Both locations also have Compaq desktop computers with floppy drives, a subtle reinforcement of the Gertie the Dinosaur theme. Both booths also inexplicably have copies of the same dictionary. I guess Studio guards spend a lot of time writing screenplays, and it’s a sure bet those Compaqs can’t run a spellchecker.
Next time you’re in the park, you can feel like a star as you walk to Muppets or eat overpriced burgers at the Commissary. You’re through the gates, baby! Remember me when you get to the top.