How the Golden Girls House and Murder She Wrote Saved the Studio Parks

In the waning days of the Cold War, two entertainment giants touched off a movie studio park arms race in an effort to dominate the teen demographic. Flight simulators, special effects spectacles, next generation thrill rides. Nothing was off limits.

IP became paramount. One corner had Star Wars and Indiana Jones. The other staged a Kongfrontation. Tension escalated quickly until both superpowers rocked the world with a secret weapon none of us saw coming.

Elderly TV stars.

The Golden Girls Spins Gold for Disney

Disney’s Touchstone Television group launched The Golden Girls in 1985. It was a sitcom with a simple premise about four older women sharing their twilight years with each other. By 1987, it was the dominant force in prime time.

The show was a product of the early Michael Eisner era — a time when everything he touched turned to gold. The Golden Girls finished in the Top Ten in the ratings for six of its seven season, launching three spin-offs along the way. Each of its four stars won an Emmy, with Betty White getting nominated every single year that the show was on.

Golden Girls holding their Emmys
Here they are. And they are better than you.

Most episodes took place inside the Golden Girls house — a Hollywood soundstage set, of course. If any scene called for Blanche, Dorothy, Rose, or Sophia to step outside, the producers had only two options. Build a facade on the studio backlot, or find a real house.

Their fictional address might have said Miami, but for its first two season, the Golden Girls house was a real house in Brentwood, CA. It recently sold for $4 million. That may seem pricey when you’re living on a fixed retirement income, but it’s only $1 million per Golden Girl.

A Studios Park in Need of a Hit

By the time Season 3 rolled around, construction was already underway for the Disney MGM Studios — a planned half-day theme park / production studio hybrid that you could breeze through in a few hours before jumping over to Typhoon Lagoon or something.

But it already had a problem.

There were only two rides planned for Opening Day. The Backlot tour was the headliner — a multi-hour experience taking you behind the scenes of Hollywood filmmaking. It had the massive Catastrophe Canyon set piece, incredible boneyard relics from major Hollywood blockbusters, and even an entire walking tour featuring a special effects water tank. But most of the ride was supposed to give you a glimpse of a real Hollywood backlot — just like the massively successful Universal Studios Tour in California.

Universal’s tour had decades of movie history on their backlot — everything from Psycho to the Ten Commandments. But the Disney MGM Studios backlot was brand new. New York Street might look like New York, but nothing of note had actually been filmed there.

Residential Street was even more plagued by obscurity. It was a cute gimmick showing how the houses were just facades. But the buildings were far from recognizable. The house from Ernest Saves Christmas? Hardly iconic. The Ernest character was already a cultural footnote (though Jim Varney would live on as the voice of Slinky Dog). What about the house from Splash Too? Did you even remember that Splash had a sequel?

Disney was searching for something — anything — that audiences would recognize. They even went so far as to park an animatronic Herbie the Love Bug in somebody’s driveway. And while that might be just the sort of thing Parkeologists love, Herbie hadn’t appeared in anything since a forgotten 5-episode TV show in 1982.

Animatronic Herbie the Love Bug on Residential Street at Disney MGM Studios
Forget the Wicked Witch in the Great Movie Ride. This was the greatest animatronic at Disney MGM Studios.

The Golden Girls House Arrives on Residential Street

From Season 3 onward, before the Disney MGM Studios had even opened to the public, exteriors of the Golden Girls house were all filmed on Residential Street. If you needed an outside shot of Rue McClanahan, Estelle Getty, Betty White, and the incomparable Bea Arthur of Star Wars Holiday Special fame, you flew those Golden Girls to Florida and filmed your pick-ups.

Golden Girls house from the Grand Opening of Disney MGM Studios
John Forsythe shows the Golden Girls house in the Grand Opening of the Disney MGM Studios. Rue McClanahan and Estelle Getty are on the front porch.

The Golden Girls went off the air in 1992. But the house on Residential Street lived on, until Hurricane Charley damaged several of the facades in 2004. By then, the popularity of the Backlot Tour — and the Golden Girls — was starting to fade. In 2007, the Residential Street was dropped from the tour and unceremoniously bulldozed to make way for the Lights Motors Action Stunt Spectacular.

Today, Star Wars Galaxy’s Edge now occupies the land that was once Residential Street. If you’re curious about where the Golden Girls house once stood, the internet is here to help. Apparently it is somewhere between Ronto’s Roasters and Docking Bay 7.

Universal Escalates the Studio Park War

Back to that Universal Backlot Tour…

Did it sound like the Disney MGM Studios was a rush job? That’s because it was. Central Florida had long been Disney country, but in the mid-1980s, Universal announced plans to build a sister park to their Hollywood studios just a few short miles away from the Walt Disney World main gate.

In the spirit of competition, Michael Eisner repurposed the EPCOT Great Movie Ride pavilion into a full-fledged theme park in its own right. He famously pushed the accelerator on Disney MGM’s construction, ensuring that it would open a full year before Universal’s park.

With Disney busy ripping off their original tram tour, Universal executives knew that they couldn’t just do a carbon copy of their Hollywood park. Lavish special-effects extravaganzas based on Jaws, King Kong, and Earthquake were marked for Opening Day. Steven Spielberg brought star power with E.T. and Back to the Future. Unlike Disney MGM Studios, Universal would be a full-day experience.

But even as backlot obscurity was giving Disney heartburn, the overambitious opening slate was setting off alarm bells at Universal.

In short, nothing worked.

The giant King Kong animatronic proved impossible to deal with. Universal had never build a theme park ride ever, much less a 39-foot mechanical gorilla. The computer system malfunctioned constantly, leading to a very real fear that the giant robot would inadvertently shove its massive fist through the dangling gondola ride vehicles. It didn’t open until 2 months after the rest of the park.

Earthquake hardly quaked at all on Opening Day. It finally stumbled into limited service a few days later. Back to the Future was scratched from the lineup before the first pitch. It wouldn’t open until 1991.

And Jaws… Well, Jaws became one of the all-time theme park disasters. Universal fought with the demented shark for as long as it possibly could before throwing its hands up in frustration and trashing the whole ride a year later in a flurry of lawsuits. It was later rebuilt from scratch and reopened in 1993.

With all of its big E-tickets floundering, Universal desperately needed something — anything — reliable to handle the load. As it turns it, something reliable was available, in the form of another TV show with an older female star.

Murder, She Wrote To the Rescue

Murder, She Wrote debuted on CBS in 1984 — a year before the Golden Girls. It was a crime drama about a retired English teacher who becomes a successful mystery writer and amateur sleuth, solving mysteries great and small in small-town Maine.

It was an immediate smash hit for Universal Television. The show ran for 12 seasons, turning Angela Lansbury into one of the most bankable TV stars of all time. Just as Betty White was nominated for a Best Actress Emmy during every season of her show, so was Angela Lansbury. Twelve nominations… and 0 wins. She still holds both records.

Interiors for the show were once again filmed on a soundstage. Universal Studios Hollywood, to be exact. But unlike the Golden Girls house, the exterior of Angela Fletcher’s house in Murder, She Wrote never appeared in a studio backlot. A real house in Mendocino, CA stood in. And you can actually stay there today.

Universal wasn’t planning to add a backlot tour to their Florida park. Their plans were much more ambitious. But they still needed the rock-steady influence of Angela Lansbury’s character to help hold things together in those rough early years.

Enter the Murder, She Wrote Mystery Theater

Back to Universal Opening Day. While Kong flailed dangerously at swinging cable cars and Jaws was evacuating every 15 minutes, the Murder, She Wrote Mystery Theater was calmly treating guests to a 25-minute lesson in the art of television production.

The show used a tired theme park premise, recruiting YOU to perform some task for which you are outrageously underqualified. In Stitch’s Great Escape, you were junior security guards. In Test Track, you were junior test drivers. At the Murder, She Wrote Mystery Theater, you became junior TV executives, working on a new episode of Murder, She Wrote.

The interactive experience walked its audience through the various disciplines of makeup, sound design, and editing before putting it all together at the very end.

The show was fairly forgettable, but at least it had a decent capacity. Just what Universal desperately needed. And like the television show it was based on, it enjoyed a long life at Universal Studios Florida, lasting all the way until 1996. That year, Murder, She Wrote went off the air and the theme park show promptly went dark, replaced by some Hercules and Xena thing.

The show building has since been completely scrapped. Transformers: The Ride currently stands in its place.

The Final Legacy

It’s nigh incredible that the two nascent Florida studio parks spent most of the 1990s dueling it out with competing senior-citizen TV show attractions. But possibly the most amazing thing about that era is that it was 30 years ago, and yet Betty White and Angela Lansbury are still with us today.

Lansbury was 71 when Murder, She Wrote went off the air. She’s still acting today. Ironically, you’re much more likely today to come across Lansbury in a Disney park rather than Universal.

She’s had a lot of famous Disney roles over the years, from Bedknobs and Broomsticks in 1971 to Mary Poppins Returns in 2018. But Disney parks around the globe still celebrate her iconic performance as the voice of Mrs. Potts in Beauty and the Beast.

Angela Lansbury sings Beauty and the Beast
Let’s remember, it wasn’t really Celine Dion who sang the title track.

And while Angela Lansbury will turn 96 in just one week, her rival Betty White is already 99 and only a few months shy of breaking triple digits.

She was 70 when Golden Girls went off the air. Just like Lansbury, Betty White has continued to lend her talents to Disney, most recently voicing a character in Toy Story 4. Of course, she’s still most famous for her long-running NBC sitcom. But a lot has happened in the last 30 years and that network is now owned by… Universal.

Anyway, happy birthday, Angela. Now let’s go grab some Ronto’s Roasters in memory of the Golden Girls house, and take a spin on Transformers: The Ride in search of Jessica Fletcher.

Thank you for being a friend.

Comments (7)

  1. You are on fire with these posts lately Shane and I am loving it

    • Making up for lost time! and glad that you are still out there to enjoy them.

  2. I love reading about the history of the parks. Went ito DHS in early May of 2003 before my wife and I had kids. We went straight to Tower of Terror, then rode Rockin’ Rollercoaster twice (it was my first time to ride it and I loved it), and then rode Tower of Terror again, all in about 45 minutes. We had done everything in the park by 5:00, ate dinner at 50s PTC and went back to the resort. By that time, it wasn’t a half day park but it wasn’t a full day either. Fast forward to late February last year and it was so crowded we didn’t get to ride either of the Star Wars rides and rode everything else once. It used to be that we couldn’t wait to go to WDW again. After the last trip, we have no plans to go back anytime soon. We had a good time but it’s getting too expensive for the experience. I wouldn’t mind the expense if they limited the crowds. We’re going to go to DL in a couple of years but I don’t expect that to be much different.

    • Good news, Greg! Disney will soon offer Genie+, so you can spend an additional $30 per person per day to ride the Star Wars rides! I’m sure this will bring you back to Florida in no time.

      • I take it from your post that you’re not a big fan of Genie+ either. Let me see… $30 x 5 people x 7 days = yeah, I think we’ll just head to Europe or somewhere in the Caribbean. I will still enjoy reading your posts, though. What happened to Ted? He didn’t quit and go get a real job, did he?

        • I haven’t gone anywhere! If you noticed I was the only one posting the first part of the year when Shane was MIA! Did I get any credit? NOOOOOOO! I’m also posting daily on our social media so give me a break! Geez, I finally wake Shane up and get him to post a bit and suddenly
          I’m dead!

          Also I actually am working on a pretty interesting post about something I bet you don’t know about but may find interesting… but I’m also lazy, never underestimate that.

          • I have been appropriately chastised. I will not question you again…for at least 3 months. As for your laziness, hard work may pay off in the future but laziness pays off now.

            Also, I know exactly what you’re working on. It’s going to be about how the original “Pete’s Dragon” would’ve been better with Jack Elam and Marty Feldman instead of Jim Dale and Red Buttons.

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